MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ

  • Suci Sundusiah UPI Bandung
https://doi.org/10.30957/lingua.v12i1.76
Abstract views: 1591 , PDF downloads: 3605
Keywords: magical realism, surealism, tradition, culture.

Abstract

Begun as a theme of painting art, magical realism exists as a typical place in litarature.  The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes.  The substance of the magic is integrated in the accepted traditions and cultures.   This article analyzes short stories of Danarto and a novel of Marquez.  Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures.  Both authors express the same writing style, but their patterns of rhetoric differ.  Danarto focuses on the magical realism of religion, sufism and Javanese cultures, combining magical realism with surealism styles.  In addition, Marquez brings readers to the structure of  Latin American society that produces unpredictable magical cultures.     

 

Downloads

Download data is not yet available.
Published
2015-03-01
How to Cite
Sundusiah, S. (2015). MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ. LINGUA : Jurnal Bahasa, Sastra, Dan Pengajarannya, 12(1), 123-136. https://doi.org/10.30957/lingua.v12i1.76
Issue
Vol. 12 No. 1 (2015): Maret 2015
Section
Articles

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License  that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).